{"id":168,"date":"2023-11-13T17:41:40","date_gmt":"2023-11-13T16:41:40","guid":{"rendered":"https:\/\/anturiongallery.com\/gino-ceccarelli-bardales\/"},"modified":"2025-12-24T20:08:08","modified_gmt":"2025-12-24T19:08:08","slug":"gino-ceccarelli-bardales","status":"publish","type":"page","link":"https:\/\/anturiongallery.com\/de\/gino-ceccarelli-bardales\/","title":{"rendered":"Gino Ceccarelli"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;section&#8220; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#001600&#8243; global_colors_info=&#8220;{}&#8220;][et_pb_row _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_image src=&#8220;https:\/\/anturiongallery.com\/wp-content\/uploads\/2023\/12\/Gino-Ceccarlli-El-descubrimiento-scaled-1.jpeg&#8220; alt=&#8220;Gino Ceccarlli, El descubrimiento&#8220; title_text=&#8220;Gino Ceccarlli, El descubrimiento&#8220; align=&#8220;center&#8220; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; height=&#8220;358px&#8220; height_tablet=&#8220;278px&#8220; height_phone=&#8220;144px&#8220; height_last_edited=&#8220;on|phone&#8220; custom_margin=&#8220;34px|||140px|false|false&#8220; custom_margin_tablet=&#8220;|||2px|false|false&#8220; custom_margin_phone=&#8220;||||false|false&#8220; custom_margin_last_edited=&#8220;on|tablet&#8220; border_width_all=&#8220;1px&#8220; border_color_all=&#8220;#e4cfa3&#8243; global_colors_info=&#8220;{}&#8220;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_2,1_2&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; text_font=&#8220;&#8211;et_global_body_font||||||||&#8220; text_text_color=&#8220;rgba(249,249,219,0.98)&#8220; text_font_size=&#8220;21px&#8220; header_font=&#8220;Cormorant SC||||||||&#8220; header_text_color=&#8220;rgba(249,249,219,0.98)&#8220; header_font_size=&#8220;41px&#8220; text_orientation=&#8220;center&#8220; max_width=&#8220;100%&#8220; custom_margin=&#8220;101px||||false|false&#8220; hover_enabled=&#8220;0&#8243; text_line_height_tablet=&#8220;&#8220; text_line_height_phone=&#8220;1.2em&#8220; text_line_height_last_edited=&#8220;on|phone&#8220; header_letter_spacing_tablet=&#8220;0px&#8220; header_letter_spacing_phone=&#8220;0px&#8220; header_letter_spacing_last_edited=&#8220;on|tablet&#8220; global_colors_info=&#8220;{}&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; custom_margin_phone=&#8220;-22px||||false|false&#8220; sticky_enabled=&#8220;0&#8243; custom_margin_tablet=&#8220;101px||||false|false&#8220;]<\/p>\n<h1>GINO CECCARELLI<\/h1>\n<p>&#8222;In meiner Malerei geht es darum, der Kosmovision des Amazonas n\u00e4her zu kommen, sie zu verstehen, zu erfassen und neu zu erschaffen. Aber diese Quelle voller Magie, Mythen und Legenden ist unersch\u00f6pflich. Je mehr man forscht, desto deutlicher wird, dass man erst die Oberfl\u00e4che ber\u00fchrt hat.&#8220;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_image src=&#8220;https:\/\/anturiongallery.com\/wp-content\/uploads\/2023\/11\/Gino-Ceccarelliu-Paris-02-scaled.jpeg&#8220; alt=&#8220;Gino Ceccarelli, Foto Paris 02&#8243; title_text=&#8220;Gino Ceccarelli, Foto Paris 02&#8243; align=&#8220;center&#8220; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; height=&#8220;369px&#8220; height_tablet=&#8220;369px&#8220; height_phone=&#8220;240px&#8220; height_last_edited=&#8220;on|phone&#8220; custom_margin=&#8220;25px||||false|false&#8220; custom_margin_tablet=&#8220;25px|||81px|false|false&#8220; custom_margin_phone=&#8220;|||2px|false|false&#8220; custom_margin_last_edited=&#8220;on|tablet&#8220; custom_padding=&#8220;0px||0px||false|false&#8220; filter_sepia=&#8220;77%&#8220; border_width_all=&#8220;1px&#8220; border_color_all=&#8220;#e4cfa3&#8243; global_colors_info=&#8220;{}&#8220; height__hover_enabled=&#8220;on|desktop&#8220; height__hover=&#8220;369px&#8220;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;section&#8220; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#00110b&#8220; hover_enabled=&#8220;0&#8243; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; custom_margin_phone=&#8220;-113px||||false|false&#8220; sticky_enabled=&#8220;0&#8243;][et_pb_row column_structure=&#8220;1_2,1_2&#8243; admin_label=&#8220;row&#8220; _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; background_size=&#8220;initial&#8220; background_position=&#8220;top_left&#8220; background_repeat=&#8220;repeat&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; text_font=&#8220;Cormorant Garamond||||||||&#8220; text_text_color=&#8220;rgba(249,249,219,0.98)&#8220; text_font_size=&#8220;21px&#8220; header_font=&#8220;Cormorant SC||||||||&#8220; header_text_color=&#8220;#E09900&#8243; header_font_size=&#8220;41px&#8220; text_orientation=&#8220;center&#8220; max_width=&#8220;100%&#8220; custom_margin=&#8220;5px||||false|false&#8220; text_line_height_tablet=&#8220;&#8220; text_line_height_phone=&#8220;1.2em&#8220; text_line_height_last_edited=&#8220;on|phone&#8220; header_letter_spacing_tablet=&#8220;0px&#8220; header_letter_spacing_phone=&#8220;0px&#8220; header_letter_spacing_last_edited=&#8220;on|tablet&#8220; header_line_height_tablet=&#8220;1em&#8220; header_line_height_phone=&#8220;1em&#8220; header_line_height_last_edited=&#8220;on|tablet&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<p class=\"p1\" style=\"text-align: left;\">Der amazonische Ursprung bildet das Gravitationszentrum von Ceccarellis Werk. Malerei ist f\u00fcr ihn ein Akt der Zugeh\u00f6rigkeit, eine Art, die Geheimnisse des Waldes zu ergr\u00fcnden, ohne ihnen ihr Geheimnis zu nehmen. Statt einer naturalistischen Wiedergabe entstehen intensive, symbolische Interpretationen. Die Gestalten scheinen aus dem Wasser, aus Tr\u00e4umen oder Nebeln zu entstehen und verbinden das Mythische mit dem Pers\u00f6nlichen.<\/p>\n<p class=\"p1\" style=\"text-align: left;\">In diesen Bildern wohnen G\u00f6tter, Schutztiere und Gesichter, die mit Wurzeln verschmelzen, sowie Boote, beladen mit Geschichte und Sehnsucht. Es gibt Sinnlichkeit und Fremdheit, Licht und Schatten. Vor allem aber gibt es eine Suche: Ceccarelli malt keine Antworten, sondern Fragen. Wer waren wir? Was haben wir vergessen? Was bleibt, wenn der Mythos zur Landschaft wird?<\/p>\n<p class=\"p1\" style=\"text-align: left;\">Im Laufe der Jahre entstand eine eigene Ikonografie, die das Ancestrale mit dem Zeitgen\u00f6ssischen verbindet. Manche nennen diesen Blick \u201eromantisch&#8220;, doch das Werk reicht weit \u00fcber Nostalgie hinaus \u2013 es ist zugleich Anklage, Wiedergewinnung und Erforschung. Eine scharfe Bewusstheit f\u00fcr Zeit, Erinnerungsverlust und den Zusammensto\u00df der Kulturen macht die Kunst zu einem Ort poetischen Widerstands.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; text_font=&#8220;&#8211;et_global_body_font||||||||&#8220; text_text_color=&#8220;rgba(249,249,219,0.98)&#8220; text_font_size=&#8220;21px&#8220; header_font=&#8220;Cormorant SC||||||||&#8220; header_text_color=&#8220;#E09900&#8243; header_font_size=&#8220;41px&#8220; text_orientation=&#8220;center&#8220; max_width=&#8220;100%&#8220; custom_margin=&#8220;5px||||false|false&#8220; text_line_height_tablet=&#8220;&#8220; text_line_height_phone=&#8220;1.2em&#8220; text_line_height_last_edited=&#8220;on|phone&#8220; header_letter_spacing_tablet=&#8220;0px&#8220; header_letter_spacing_phone=&#8220;0px&#8220; header_letter_spacing_last_edited=&#8220;on|tablet&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<p class=\"p1\" style=\"text-align: left;\">Ein visuelles Universum, zutiefst amazonisch, aber mit den Ausdrucksmitteln globaler zeitgen\u00f6ssischer Malerei gestaltet. Der Stil ist unverkennbar: flie\u00dfende, \u00e4therische Formen, fl\u00fcchtige Figuren und ein ausdrucksstarker Umgang mit Farbe und Leere. Mehr als Amazonien darzustellen, beschw\u00f6rt Ceccarelli sie herauf und l\u00e4dt uns ein, sie nicht als verlorenes Paradies, sondern als Quelle von Wissen und Sch\u00f6nheit zu sehen.<\/p>\n<p class=\"p1\" style=\"text-align: left;\">\n<p class=\"p1\" style=\"text-align: left;\">Die Werke schlagen eine emotionale Kartografie des Territoriums vor \u2013 eine Landkarte, in der sich Erinnerung, Mythos, Identit\u00e4t und Begehren \u00fcberkreuzen. Heute gilt Gino Ceccarelli als Schl\u00fcsselfigur der zeitgen\u00f6ssischen amazonischen Kunst. Seine Arbeiten werden weltweit in Museen und Galerien gezeigt und \u00f6ffnen neue T\u00fcren zum Unbekannten.<\/p>\n<p class=\"p2\" style=\"text-align: left;\">\n<p class=\"p2\" style=\"text-align: left;\">In Ceccarellis eigenen Worten ist das Geheimnis des Amazonas unersch\u00f6pflich. Seine Kunst demonstriert dies: Sie erkl\u00e4rt den Regenwald nicht, aber sie verwandelt unsere Art, ihn zu sehen. So bleiben seine Gem\u00e4lde eine Einladung, die unendliche Tiefe der Wildnis und der menschlichen Seele durch amazonische Augen neu zu entdecken.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;section&#8220; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#00110b&#8220; hover_enabled=&#8220;0&#8243; global_colors_info=&#8220;{}&#8220; custom_margin=&#8220;0px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; custom_margin_phone=&#8220;-123px||||false|false&#8220; sticky_enabled=&#8220;0&#8243; custom_margin_tablet=&#8220;0px||||false|false&#8220;][et_pb_row admin_label=&#8220;row&#8220; _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; background_size=&#8220;initial&#8220; background_position=&#8220;top_left&#8220; background_repeat=&#8220;repeat&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column 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header_line_height_phone=&#8220;1em&#8220; header_line_height_last_edited=&#8220;on|tablet&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<p>Amazonische Kunst<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#00110b&#8220; hover_enabled=&#8220;0&#8243; global_colors_info=&#8220;{}&#8220; custom_margin=&#8220;-97px||||false|false&#8220; max_height_last_edited=&#8220;on|phone&#8220; max_height_phone=&#8220;1000px&#8220; sticky_enabled=&#8220;0&#8243;][et_pb_row _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; vertical_offset=&#8220;-9px&#8220; max_width=&#8220;1072px&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_image 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