{"id":178,"date":"2023-11-13T17:41:41","date_gmt":"2023-11-13T16:41:41","guid":{"rendered":"https:\/\/anturiongallery.com\/miguel-vilca-vargas\/"},"modified":"2026-01-03T00:11:21","modified_gmt":"2026-01-02T23:11:21","slug":"miguel-vilca-vargas","status":"publish","type":"page","link":"https:\/\/anturiongallery.com\/de\/miguel-vilca-vargas\/","title":{"rendered":"Miguel Vilca Vargas"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;section&#8220; _builder_version=&#8220;4.27.5&#8243; background_color=&#8220;#001600&#8243; global_colors_info=&#8220;{}&#8220;][et_pb_row _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; custom_margin_tablet=&#8220;&#8220; custom_margin_phone=&#8220;-30px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_image src=&#8220;https:\/\/anturiongallery.com\/wp-content\/uploads\/2023\/12\/Miguel-Vilca-Vargas-Furia-1.jpg&#8220; alt=&#8220;Miguel Vilca Vargas, Furia&#8220; title_text=&#8220;Miguel Vilca Vargas, Furia&#8220; align=&#8220;center&#8220; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; min_height_tablet=&#8220;&#8220; min_height_phone=&#8220;&#8220; min_height_last_edited=&#8220;on|tablet&#8220; height=&#8220;356px&#8220; height_tablet=&#8220;260px&#8220; height_phone=&#8220;137px&#8220; height_last_edited=&#8220;on|tablet&#8220; custom_margin=&#8220;-25px||||false|false&#8220; border_width_all=&#8220;1px&#8220; border_color_all=&#8220;#E09900&#8243; global_colors_info=&#8220;{}&#8220;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_2,1_2&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; text_font=&#8220;Cormorant Garamond||||||||&#8220; text_text_color=&#8220;#f9f9c7&#8243; text_font_size=&#8220;19px&#8220; header_font=&#8220;Cormorant Garamond||||||||&#8220; header_text_color=&#8220;#f9f9c7&#8243; header_font_size=&#8220;47px&#8220; text_orientation=&#8220;center&#8220; custom_margin=&#8220;50px||||false|false&#8220; custom_margin_tablet=&#8220;50px||||false|false&#8220; custom_margin_phone=&#8220;-20px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<h1 style=\"text-align: center;\">Miguel Vilca Vargas<\/h1>\n<p class=\"p1\">\n<p class=\"p1\">\u201eDieses Gr\u00fcn in Sepia und Schwarz zu durchdringen,<br \/>verlangt einen Vorwand, eine Geschichte oder den Blick<br \/>eines Zeugen unz\u00e4hliger Geschehnisse.<\/p>\n<p class=\"p1\">Ich m\u00f6chte uns in Verleugnung portr\u00e4tieren und gleichzeitig Momente k\u00f6stlicher und be\u00e4ngstigender Stille einfangen.&#8220;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_image src=&#8220;https:\/\/anturiongallery.com\/wp-content\/uploads\/2023\/11\/Miguel-Vilca-Vargas-Foto-Perfil.jpeg&#8220; alt=&#8220;Miguel Vilca Vargas Foto Perfil&#8220; title_text=&#8220;Miguel Vilca Vargas Foto Perfil&#8220; align=&#8220;center&#8220; _builder_version=&#8220;4.24.2&#8243; _module_preset=&#8220;default&#8220; module_alignment=&#8220;center&#8220; height=&#8220;329px&#8220; height_tablet=&#8220;313px&#8220; height_phone=&#8220;220px&#8220; height_last_edited=&#8220;on|phone&#8220; custom_margin=&#8220;0px||||false|false&#8220; custom_padding=&#8220;0px||0px||false|false&#8220; filter_hue_rotate=&#8220;102deg&#8220; filter_saturate=&#8220;101%&#8220; filter_sepia=&#8220;76%&#8220; border_width_all=&#8220;2px&#8220; border_color_all=&#8220;#E02B20&#8243; global_colors_info=&#8220;{}&#8220;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#001600&#8243; custom_margin_tablet=&#8220;&#8220; custom_margin_phone=&#8220;-95px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_row _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; header_2_font=&#8220;Cormorant Garamond|300|||||||&#8220; header_2_text_color=&#8220;#f9f9c7&#8243; header_2_font_size=&#8220;28px&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<h2 class=\"p1\" style=\"text-align: center;\">B\u00faho: Wo das Unsichtbare sichtbar wird<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_2,1_2&#8243; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; custom_margin_tablet=&#8220;&#8220; custom_margin_phone=&#8220;-21px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; text_text_color=&#8220;#f9f9c7&#8243; text_font_size=&#8220;21px&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<p class=\"p1\">Pucallpa war einst ein im tiefen Regenwald versteckter kleiner Handelsposten am Ucayali, einem Nebenfluss des Amazonas. An seinem Oberlauf liegt die Anlegestelle f\u00fcr die alten Boote und Kanus, die weiter flussaufw\u00e4rts zu mythischen Orten fernab der Zivilisation fahren.<\/p>\n<p class=\"p1\">Diese Umgebung zeichnet sich durch leuchtende Farben, dunkle Ecken, be\u00e4ngstigende Ger\u00e4usche, den Gesang verborgener V\u00f6gel, schreiende Affen und Schwaden summender Insekten aus. Es herrscht eine Stimmung, die nur der Regenwald kennt \u2013 dunkel, feucht und durchdrungen von einer unheimlichen, lebendigen Stille.<\/p>\n<p class=\"p1\">Es ist ein Ort, an dem man in die Vergangenheit eintauchen und sich in tiefer Stille mit den Vorfahren verbinden kann.<\/p>\n<p class=\"p1\">In diesem Raum k\u00f6nnen Menschen dank der \u00fcber Generationen weitergegebenen Traditionen und Erfahrungen mit anderen Welten kommunizieren, die f\u00fcr uns gew\u00f6hnlich unzug\u00e4nglich sind.<\/p>\n<p class=\"p1\">Heute ist Pucallpa zu einer betriebsamen Stadt geworden, in der die majest\u00e4tische Ruhe durch den L\u00e4rm unz\u00e4hliger Motorr\u00e4der verdr\u00e4ngt wird, und der rote Staub, den sie aufwirbeln, weht unaufh\u00f6rlich durch die belebten Stra\u00dfen.<\/p>\n<p class=\"p1\">Hier lebt Miguel Vilca Vargas, vor Ort B\u00faho (\u201eEule&#8220;) genannt, und hier entstehen seine Werke: geheimnisvolle, figurative Bilder, die das Unsichtbare sichtbar machen.<\/p>\n<p class=\"p1\">Vilca sch\u00f6pft aus einer Welt, in der das Mystische und das Menschliche untrennbar verbunden sind. Seine Werke konfrontieren uns mit der menschlichen Bedingung, mit unseren \u00c4ngsten, Sehns\u00fcchten und verborgenen Impulsen.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; text_text_color=&#8220;#f9f9c7&#8243; text_font_size=&#8220;21px&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<p class=\"p1\">Gleichzeitig verweist er auf die klassische europ\u00e4ische Kunst: Archetypen, religi\u00f6se Motive und Verweise auf die Renaissance treten in einen Dialog mit den spirituellen Wesen und Mythen des Amazonas \u2013 ein dichtes Netz aus Erinnerungen, Tr\u00e4umen und inneren Visionen entsteht.<\/p>\n<p class=\"p1\">In seinen Arbeiten verschwimmen die Grenzen zwischen Vergangenheit, Gegenwart und Zukunft. Sie erz\u00e4hlen von alten Erfahrungen, die in unserem Unterbewusstsein weiterleben, und von den Kr\u00e4ften des Regenwaldes, die in der Seele der Menschen nachhallen.<\/p>\n<p class=\"p1\">Miguel malt nicht, was die Augen sehen; er malt, was die Seele f\u00fchlt \u2013 die geheimnisvolle Verbindung zwischen Mensch, Natur und dem Unsagbaren. Seine Figuren sind sowohl intim als auch archetypisch, sie spiegeln die dunklen und hellen Seiten unserer Existenz wider. Dabei verliert er nie die Balance: Die Werke bleiben ehrf\u00fcrchtig gegen\u00fcber den Kr\u00e4ften, die sie inspirieren, und vermeiden oberfl\u00e4chliche Effekte.<\/p>\n<p class=\"p1\">Der Dschungel, der ihn umgibt, wird zur Metapher f\u00fcr das Innere, der Schatten zur Pr\u00e4senz des Verborgenen.<\/p>\n<p class=\"p1\">In einer Zeit, in der der Regenwald unter gro\u00dfer Bedrohung steht und t\u00e4glich der Zerst\u00f6rung weicht, bewahrt Vilca nicht nur Bilder, sondern ganze Welten \u2013 jene unsichtbaren Dimensionen, die f\u00fcr immer erl\u00f6schen, wenn der Wald erstirbt. Seine Kunst erinnert uns daran, dass wir nicht nur Natur verlieren, sondern auch den Zugang zu einem Wissen, das \u00e4lter ist als unsere Zivilisation.<\/p>\n<p class=\"p1\">Vilca zeigt uns die Welt nicht so, wie sie ist, sondern so, wie sie in uns lebt \u2013 ein Ort voller Mysterien und existenzieller Wahrheiten.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#001600&#8243; custom_margin_tablet=&#8220;&#8220; custom_margin_phone=&#8220;-51px||||false|false&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_row _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; vertical_offset=&#8220;-20px&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.27.5&#8243; _module_preset=&#8220;default&#8220; text_text_color=&#8220;#E09900&#8243; header_font=&#8220;Cormorant SC||||||||&#8220; header_text_align=&#8220;center&#8220; header_text_color=&#8220;#E09900&#8243; header_font_size=&#8220;46px&#8220; header_2_font=&#8220;Cormorant Garamond|300|||||||&#8220; header_2_text_align=&#8220;center&#8220; header_2_text_color=&#8220;#f9f9c7&#8243; header_2_font_size=&#8220;34px&#8220; hover_enabled=&#8220;0&#8243; global_colors_info=&#8220;{}&#8220; sticky_enabled=&#8220;0&#8243;]<\/p>\n<h2>Werke von Miguel Vilca Vargas<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; vertical_offset=&#8220;-9px&#8220; max_width=&#8220;1072px&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.23.1&#8243; _module_preset=&#8220;default&#8220; 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