Contemporary Amazonian Art

Part 2: Dialogues, Inspiration and Exchange

in Amazonian Art

A living dialogue exists between Indigenous Amazonian art and the diverse creative expressions emerging throughout the region.

Traditional patterns, stories, and mythologies flow into multiple visual languages as sources of inspiration, finding new form in dynamic, contemporary works.

Indigenous art, in turn, incorporates styles and techniques from both the Amazonian and international art scenes, integrating them into its own visual vocabulary. This process is rooted in mutual respect and shared creativity — honoring cultural roots while opening new perspectives.

The issue of cultural appropriation in Amazonian art demands particular sensitivity, as it is complex and multifaceted. Indigenous communities often view the unauthorized use of their symbols, myths, and patterns by artists of other backgrounds as an act of dispossession or illegitimate appropriation — a legitimate concern tied to the protection of cultural identity and intellectual property.

Yet, the debate on cultural appropriation can sometimes become overstated, narrowing the space for creative dialogue. Historically, artists such as Picasso drew inspiration from African art forms without this negating the legitimacy of artistic exchange.

What truly matters is a reflective engagement that balances artistic freedom with cultural responsibility. An open and respectful dialogue — free from prejudice — fosters mutual understanding and fair recognition.

In this sense, cultural appropriation can also be understood as a space of tension, one that challenges both sides: to respect boundaries while encouraging creative connection and innovation.

Maintaining this balance — between respect, sensitivity, and artistic exchange — is essential for a living, evolving art of the Amazon and beyond.

Graciela Arias Salazar, Aguliar

Graciela Arias. «The owl,» a symbol of wisdom and knowledge, presides over a ceremonial scene where the visible and invisible converge—reflecting the artist’s exploration of ritual, memory, and transcendence. Contemporary Amazonian Art

Indigenous and Amazonian Art — For a Deeper Understanding

The meaning of art — and its potential impact — is intimately tied to the way we understand knowledge: something collected, preserved, narrated, and transmitted.

The complex symbolism of contemporary Indigenous Amazonian art reflects a worldview in which all things are interconnected. What exists above, in the sky, is mirrored below, on the earth — and vice versa. Artists do not see themselves merely as individual creators, but as mediators between the visible and invisible worlds.

The creation of an image or an object is not only an aesthetic act, but also a ritual process — a way of making spiritual knowledge, collective memory, and cultural continuity visible. In this sense, Indigenous painting often becomes a direct expression of spirituality, ancestral wisdom, communal survival, and shared experience — meanings deeply rooted in a worldview sustained by the collective.

Indigenous artists regard themselves as guardians of their cultural heritage and as mediators between tradition and the present. Amazonian art, in turn, also reflects the creative dynamism of a cultural landscape in transformation.

Graciela Arias Salazar, Dos seres espirituales se encuentran en el bosque.

Graciela Arias Salazar – “El Encuentro.” In the night of the Rainforest, two spirits meet. Between them flows a silent gift — a gesture of connection between myth and memory.

The Reinterpretation of the Sacred

In much of contemporary Amazonian painting, the spiritual and cosmological dimensions find new forms of expression through artists who rearticulate them within a modern context.

Rather than replicating traditional forms, they offer powerful reinterpretations that revitalize ancestral knowledge through personal experience and contemporary aesthetic languages.

Inherited myths, legends, and oral narratives are reimagined — serving as surfaces on which collective memory is projected, and where history, identity, experience, and worldview are continuously transformed.

In this process, these works stand out for their visual intensity, emotional resonance, and the force of an individual expression that nonetheless remains deeply rooted in the cultural continuity from which it emerges.

At the same time, a more personal and often introspective voice arises — one that reveals joy, sensuality, and the sheer pleasure of living. These qualities, intrinsic to the Amazonian spirit, celebrate the immediacy of existence, the richness of emotion, and the vibrant rhythm of life that animates the rainforest.

Christian Bendayan, Corazon berraca

Christian Bendayán, Corazón Berraco: herido, expuesto, pero digno. Un corazón que sangra sin esconderse, que transforma su dolor en fuerza.

From the Depths of the Rainforest to the Lights of the City

This vitality reveals itself in the vibrant daily life of Amazonian cities — in markets, festivals, bars, and nightclubs. Everywhere, life dances in bright colors, celebrating itself, questioning itself, and revealing itself anew.

Amid this energy, a self-awareness emerges that resists any clear definition — contradictory, exuberant, an almost indescribable yet deeply human chaos. It is a dialogue between the old and the new, between continuity and rupture — infused with a cinematic vitality that transcends simple categorization.

Both artistic currents, in their own way, help make a distinctive Amazonian identity visible — one that sets this region apart culturally from other parts of the country. They reveal that the Amazonian spirit is both deeply rooted in its origins and constantly navigating a modern, dynamic world — endlessly reinventing itself in the process.

Luis Martínez Dávila,  transforma la selva en pensamiento, y el pensamiento en color.

Luis Martínez Dávila transforma la selva en pensamiento, y el pensamiento en color. Arte amazónico, un universo florece desde la raíz.

Ancestral Roots and Modern Mythologies

Experimentation with diverse materials — from natural pigments to mixed-media techniques that incorporate organic elements — further enriches these expressions. In doing so, Amazonian artists challenge the traditional boundaries of visual art, merging cultural and contemporary references into a dynamic, ever-evolving language uniquely their own.

Through this, they construct a dialogue among tradition, memory, and transformation, reflecting both the Amazon’s singular identity and its social and environmental realities today. A vibrant current of urban influence has emerged in contemporary Amazonian art, fusing local roots with global influences and pop aesthetics. This current is marked by the bold use of neon colors that radiate energy and vitality, and by an imagery that often recalls the iconographic language of pop art — playful, intense, and self-aware.

In these works, mythology is reimagined through everyday symbols and seemingly trivial motifs, creating an iconography that fuses the ancestral with the modern in both critical and poetic ways. This visual language captures the contradictions of urban Amazonian life — where tradition coexists with contemporary popular culture, and myth is reinterpreted in the light of modernity — giving rise to an art that is bold, colorful, and deeply human.

Pablo Amaringo, The Rainforest awakens in radiant harmony

Luis Martínez Dávila transforma la selva en pensamiento, y el pensamiento en color. Arte amazónico, un universo florece desde la raíz.

Visionary Art

Although Visionary Art is not the main focus of this essay, the movement deserves mention.

Rooted in the depiction of altered states of consciousness, spiritual dimensions, and mystical visions, this aesthetic shares certain visual affinities with Amazonian traditions.

The work of Pablo Amaringo stands as an emblematic example: emerging from lived experience, profound cultural knowledge, and ceremonial practice. His paintings represent a reimagining that bridges traditional elements of the Amazon with influences from contemporary cultural and spiritual imaginaries.

However, much of the Visionary Art circulating in today’s global market reproduces a psychedelic iconography often detached from the cultural and ceremonial contexts it claims to evoke.

As a result, a stylized, commercialized mysticism has emerged — one more focused on visual spectacle than on authenticity or cultural depth.

Gino Ceccarelli – “Amazon Warrior”, A haunting image of strength and defiance.

Gino Ceccarelli – “Amazon Warrior”, A haunting image of strength and defiance. The face is characterized by ritual scars that symbolize resilience and memory. Amidst light and shadow, it embodies the spirit of resistance — a silent, watchful guardian of the rainforest’s soul.

Between Paradoxes, Personal Voices, and New Perspectives

In a region marked by contrasts — between isolation and beauty, abundance and threat — art becomes a space of resonance. Non-Indigenous artists who live and create in the Amazon work from within this landscape of paradoxes: majestic yet fragile, vibrant yet endangered. They do not speak for others; they speak from themselves — from their bond with the land, from their experience of belonging, and from the need to express something that is truly their own.

Their works do not attempt to replicate an inherited spirituality but to explore shared realities: hybrid identities, inequality, the emotional memory of the territory, and the tensions between tradition and modernity. The spiritual, the urban, the mythological, and the political intertwine in new and intense forms — sometimes unsettling, but always alive.

As global awareness of the Amazon’s importance continues to grow, so too does the space for these artistic voices. They are not seeking to explain the rainforest, but to show how life unfolds within it: how one remembers, resists, struggles — and continues to dream, to create, and to love.

Contemporary Amazonian art — like the rainforest itself — cannot be confined to a single meaning. It is excess and mixture, rhythm and chaos, rupture and renewal.

It is a creative pulse that not only reflects the world but also challenges, transforms, and reimagines it — inviting us to see it through new eyes.

Miguel Vilca – “El origen del mito.” A figure half human, half bird

Miguel Vilca – “El origen del mito.” A figure half human, half bird, rises at the threshold between river and sky. His gestures evoke dialogue, between creation and creature, myth and memory.

Epilogue

One River — Two Currents

Both currents of this extraordinary art originate in the vast basin of the Amazon—a unique, harmoniously paradoxical cosmos that profoundly shapes the lives of all its inhabitants.

Here, both styles converge within the multifaceted body of contemporary Amazonian art.
They spring from different cultural sources and existential realities.
Yet the driving force—their artistic impetus—lies in perspective and framework, not in the artists’ origins.

Both currents share themes, motifs, and symbols, and remain inextricably linked to the geography of the Amazon.
And it is precisely from this shared connection that a dialogue emerges—one that makes differences visible without dividing, a dialogue that allows diversity to be experienced as a creative energy.

This blog post is dedicated to contemporary Amazonian art and explores its distinctive features, motifs, and forms of expression.
It accompanies the previous article on contemporary Indigenous art, which you can find here:

👉 Contemporary Indigenous Art, part l


A Note on Terminology

The terms used to describe art from the Amazon vary and sometimes intersect. While some works are included under the broader term Contemporary Amazonian Art, or simply „Amazonian Art.“ Many creators from Indigenous communities define their work specifically as „Indigenous Contemporary Art“, emphasizing its origin within their own traditions and worldviews.

In this text, I will use both this specific term and the more geographically descriptive „Indigenous Amazonian Art“, aiming to respect the artists’ self-identification while also situating their work within the unique cultural landscape that inspires it.

Both names are used with equal respect, recognizing that what unites these artists is far stronger than what distinguishes them — a creative dialogue between heritage and transformation, between the forest’s memory and the contemporary world.

Author: Rolf Friberg.

Rolf FribergFriberg